The Frip
Your death opens gates to the dark world
Bruno Cooke reviews Orlam by PJ Harvey (Picador, 2022)
Progress was made
Poet and literature activist Jonathan Davidson considers the concept of 'progress' in poetry
Seawort, marram grass, a length of rusted metal chain
Khadija Rouf reviews Notes on Water by Amanda Dalton (Smith|Doorstop, 2022)
Ticking its own wild time
Tony Curtis on 'In the Theatre' by Dannie Abse, a poem which changed his life as a writer
Photo credit and copyright Amit Lennon
Photo credit and copyright Amit Lennon
An empty room
Charlotte Gann reviews Towards a General Theory of Love by Clare Shaw (Bloodaxe, 2022)
Ce n’est pas une métaphore
Hilary Menos reviews Our Lady of Tyres / Notre dame des pneus by Claire Trévien, translated from English to French by Marie Lando (Broken Sleep Books, 2022)
Strung like an archer’s bow
Steven Lovatt reviews Unexhausted Time by Emily Berry (Faber, 2022)
Castaway Companions
Castaway Poet Suzannah Evans chooses poems by Ian McMillan, Marie Howe and Tony Hoagland to take to a desert island
Biscuit, olive branch, small origami frog
Jane Routh reviews The Rake by Tristran Fane Saunders (New Poets List, The Poetry Business, 2022)
Inside Spelt
The Friday Poem talks to Wendy Pratt, founder and editor of Spelt Magazine, about running a literary magazine with a nature focus, elitist gatekeepers, and the importance of planning
Life and love
Matthew Paul reviews Lanyard by Peter Samson (Carcanet, 2022)
Three Live Canon winners
Emma Simon reviews pamphlets by Aileen La Tourette, Elena Croitoru and Mehmet Izbudak, winners of the Live Canon Pamphlet Competition 2021