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The Friday Poem

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Reviews

Bright purple background with a light coloured wavy line in a loose arch

Glass through heat

Jane Routh reviews Panic Response by John McCullough (Penned in the Margins, 2022)
three book covers in a fan shape, one has blue and grey vertical stripes, one has a pattern of hexagonal cells a bit like a hive with a black and white bee on it, one is green with a painting of a mother and daughter

Three pamphlets: Gillingham, Payne and Rouf

Rachael Matthews reviews The Human Body is a Hive by Erica Gillingham, Richie McCaffery reviews The Wax Argument by Steven Payne, and Bruno Cooke reviews House Work by Khadija Rouf
A clump of light green moss on a black background

Mosses and dunlins, lichens and curlew, light and water

Carl Tomlinson reviews what is near by Kay Syrad (Cinnamon Press, 2021)
Four people dressed in sparkly festival gear, one with a blue suit covered in white clouds.They are screaming with joy and waving neon coloured glow sticks. Party on!

I could have been betterer. Et-fucking-cetera

Hilary Menos reviews Miracle Theatre’s Everyman, adapted by Carol Ann Duffy, at the Princess Pavillion, Falmouth
Two book covers, both have faces on, both looking roughly towards the centre of the image. The left hand image has an head drawn with lots of wavy green lines on a black background, the right hand shows a woman's head mostly hidden by a cloud, we can see her lips and chin and one shoulder.

Poems of witness

Emma Simon reviews The Underlook by Helen Seymour (Smith|Doorstop, 2021) and The Thoughts by Sarah Barnsley (Smith|Doorstop, 2021)
A pastel hued watercolour of two older people in a squashy bed/ A woman on the left and a man on the right. They are wearing pyjamas and appear to be sleeping in a loose embrace

He turns to her, she turns to him

Annie Fisher reviews Pearls: the complete Mr and Mrs Philpott poems by Helena Nelson (HappenStance Press, 2022)
Slightly abstract painting in block colours, Yellow, beige, green, grey, sky blue, representing a building, the sky with a sun or a moon and a single window. oh, and some bricks

Whichever life we live, it’s the other calls

Carl Tomlinson reviews Hotel Anonymous by Mike Barlow (Pindrop Press, 2021)
Kind ofd abstract blocky design in blue and grey with a pause icon in a orange circle in the centre.

Selected Ambient Works

Bruno Cooke reviews You've got so many machines, Richard: an anthology of Aphex Twin poetry, edited by Rishi Dastidar and Aaron Kent (Broken Sleep Books, 2022)
looks like a sculpture of a red haired woman with wings (angel or dragon?) holding on to the left arm of a male figure.

I would make a language out of this

Stephen Payne reviews Speechless at Inch by James Caruth (Smith|Doorstop, 2021)
uneven red nearly vertical stripes on a white background. The words "Eat or we both starve" run across the page in a blue uppercase font, the text has a white background which bisects the red stripes.

Statues to honour hunger

Fiona Moore reviews Eat Or We Both Starve by Victoria Kennefick (Carcanet, 2021)
Three pamphlet covers arranged in a fan shape, one has a health worker in PPE on a blue background, one is yellow with black text running down the centre of the page and one is half white with purple text , the other half has what may be a woodcut in what may be ethnic patterns.

Three pamphlets: Figura, Flynn and Sabah

Khadija Rouf reviews My Name is Mercy by Martin Figura (Fair Acre Press, 2021), Hilary Menos reviews Nina Simone is Singing by Leontia Flynn (Mariscat Press, 2021), and Mat Riches reviews Litanies by Naush Sabah (Guillemot Press, 2021)
a black handprint on a white background with a yellow stripe down the left hand side

Prizes prised from the perished

Bruno Cooke reviews Please Do Not Touch by Casey Bailey (Burning Eye Press, 2021)
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THE FRIP

The Frip is The Friday Poem’s reviews and features magazine. We run book reviews, profiles, interviews, essays, lyric essays and other features of interest to poets and readers of poetry. Read the Frip here.

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