Like worms on the corruption in which they are bred
Hilary Menos reviews The Poets’ Guide to Economics by John Ramsden (Pallas Athene, 2022)
Reviews
If the wallpaper could speak
D.A. Prince reviews Rock, Bird, Butterfly by Hannah Lowe (Hercules Editions, 2022)
The end of history?
Mat Riches reviews You have no normal country to return to by Tom Sastry (Nine Arches, 2022)
Woods, words, a sword of spells bunched up on a larch
Maggie Mackay reviews Shelling Peas with My Grandmother in the Gorgiolands by Sarah Wimbush (Bloodaxe, 2022)
That first bright garden
Annie Fisher reviews Rain Tree by Ruth Sharman (Templar, 2022)
Seedpearl work
Jane Routh reviews The Language of Bees by Rae Howells (Parthian, 2022)
Dealing in shards
Steven Lovatt reviews Amnion by Stephanie Sy-Quia (Granta, 2021)
Luve’s arcane delirium
Richie McCaffery reviews The Mouth of Eulalie by Annie Brechin (Blue Diode, 2022)
Glass through heat
Jane Routh reviews Panic Response by John McCullough (Penned in the Margins, 2022)
A flower blossoming out of the hole in my face
Khadija Rouf reviews Bless the Daughter Raised by a Voice in Her Head by Warsan Shire (Chatto & Windus with Flipped Eye, 2022)
A gorgeous fluorescent yes
Hilary Menos reviews Ephemeron by Fiona Benson (Cape, 2022)
Three pamphlets: Erica Gillingham, Stephen Payne and Khadija Rouf
Rachael Matthews reviews The Human Body is a Hive by Erica Gillingham, Richie McCaffery reviews The Wax Argument by Steven Payne, and Bruno Cooke reviews House Work by Khadija Rouf