Seedpearl work
Jane Routh reviews The Language of Bees by Rae Howells (Parthian, 2022)
Jane Routh reviews The Language of Bees by Rae Howells (Parthian, 2022)
Steven Lovatt reviews Amnion by Stephanie Sy-Quia (Granta, 2021)
Richie McCaffery reviews The Mouth of Eulalie by Annie Brechin (Blue Diode Press, 2022)
Jane Routh reviews Panic Response by John McCullough (Penned in the Margins, 2022)
Khadija Rouf reviews Bless the Daughter Raised by a Voice in Her Head by Warsan Shire (Chatto & Windus with Flipped Eye, 2022)
Hilary Menos reviews Ephemeron by Fiona Benson (Cape, 2022)
Rachael Matthews reviews The Human Body is a Hive by Erica Gillingham, Richie McCaffery reviews The Wax Argument by Steven Payne, and Bruno Cooke reviews House Work by Khadija Rouf
Annie Fisher reviews Rain Tree by Ruth Sharman (Templar, 2022)
Rob A. Mackenzie reviews Dead Souls by Sam Riviere (Weidenfeld & Nicolson, 2021)
Carl Tomlinson reviews what is near by Kay Syrad (Cinnamon Press, 2021)
Hilary Menos reviews Miracle Theatre’s Everyman, adapted by Carol Ann Duffy, at the Princess Pavillion, Falmouth
Emma Simon reviews The Underlook by Helen Seymour (Smith|Doorstop, 2021) and The Thoughts by Sarah Barnsley (Smith|Doorstop, 2021)