Seedpearl work
Jane Routh reviews The Language of Bees by Rae Howells (Parthian, 2022)
Reviews
Dealing in shards
Steven Lovatt reviews Amnion by Stephanie Sy-Quia (Granta, 2021)
Luve’s arcane delirium
Richie McCaffery reviews The Mouth of Eulalie by Annie Brechin (Blue Diode Press, 2022)
Glass through heat
Jane Routh reviews Panic Response by John McCullough (Penned in the Margins, 2022)
A flower, blossoming / out of the hole in my face
Khadija Rouf reviews Bless the Daughter Raised by a Voice in Her Head by Warsan Shire (Chatto & Windus with Flipped Eye, 2022)
A gorgeous fluorescent yes
Hilary Menos reviews Ephemeron by Fiona Benson (Cape, 2022)
Three pamphlets: Gillingham, Payne and Rouf
Rachael Matthews reviews The Human Body is a Hive by Erica Gillingham, Richie McCaffery reviews The Wax Argument by Steven Payne, and Bruno Cooke reviews House Work by Khadija Rouf
That first bright garden
Annie Fisher reviews Rain Tree by Ruth Sharman (Templar, 2022)
A dark shape from the sun
Rob A. Mackenzie reviews Dead Souls by Sam Riviere (Weidenfeld & Nicolson, 2021)
Mosses and dunlins, lichens and curlew, light and water
Carl Tomlinson reviews what is near by Kay Syrad (Cinnamon Press, 2021)
I could have been betterer. Et-fucking-cetera
Hilary Menos reviews Miracle Theatre’s Everyman, adapted by Carol Ann Duffy, at the Princess Pavillion, Falmouth
Poems of witness
Emma Simon reviews The Underlook by Helen Seymour (Smith|Doorstop, 2021) and The Thoughts by Sarah Barnsley (Smith|Doorstop, 2021)