Distracted by eyelashes
Steven Lovatt reviews Men Who Feed Pigeons by Selima Hill (Bloodaxe, 2021)
Steven Lovatt reviews Men Who Feed Pigeons by Selima Hill (Bloodaxe, 2021)
by Sarah Hymas — We'd been talking about our childhoods, / how foreign they were to the world we navigated now, / yet how, somehow, we were still those girls / who peered under rocks and poked at the cracks
In the second of our series on over-used words in poetry, Chris Edgoose takes on 'palimpsest'
Richie McCaffery reviews two Wayleave Press pamphlets — Rib by Sharon Black and After by Jane Routh
by Martin Figura — That paving slab the working week / squared away and set to rest, leave them / to their tea, their Chronicle, the felt pen reek / of circled ads, let unencumbered men // go, go, hungover in their dinted vans
Rory Waterman reveals the story behind his poem 'Like Father'
Emma Simon reviews Field Requiem by Sheri Benning (Carcanet, 2021)
by Liz Cashdan — She would never have done hop-picking / so this portrait is going to be difficult. / She hated the open air, the sunshine, // meeting up with ordinary folk
Castaway poet Anne-Marie Fyfe chooses three poems by Emily Dickinson, Robert Lowell and Elizabeth Bishop to take to a desert island
by Tim Relf — Cicatrice gets me googling, / as does horrent, minatory and coevals. Ditto deckle, flocculent and satyr. How / can I have got to 50 and not know so many words? How / can I have gone through this
Feature: Top prizes aren’t necessarily the preserve of established poets. The Friday Poem talks to five previously unpublished poets who won the biggest poetry competition in the UK