Pamphlet Reviews
Monsoon night-song
Steven Lovatt reviews Mother of Flip-Flops by Mukahang Limbu (Out-Spoken Press, 2022)
Images of aftermath
Mat Riches reviews Exposed Staircase by Will Eaves (Rack Press, 2022)
A slick torpedo hurled from the blue depths
Isabelle Thompson reviews Temporary Stasis by Lucy Holme (Broken Sleep Books, 2022)
Yielding to water
Clare Best reviews The Water People / Gens de l’eau by Vénus Khoury-Ghata, translated by Marilyn Hacker (Poetry Translation Centre, 2022)
Haunted, haunting, cursed and cursing
Bruno Cooke reviews Farewell Tour by Stefan Mohamed (Verve, 2022)
More sea than land, more sky than earth
Jane Routh reviews After Clare by William Thompson (New Walk 2022) and A Separate Appointment by Rebecca Farmer (New Walk, 2022)
Language walking across borders
D.A. Prince reviews Colours & Tea (Human) by Tomi Adegbayibi (Muscaliet Press, 2022)
A soft labyrinth of signals
Hilary Menos reviews The Grass Boat by Imogen Forster (Mariscat, 2021)
Put me in a drum and bang me
Tim Murphy reviews The Barman by Helen Bowell (Bad Betty Press, 2022)
And far away a writer drawing a breath
Regina Weinert reviews Uneasy Pieces by Nancy Campbell (Guillemot Press 2022)
The space between bars
Nell Prince reviews Angola, America by Sammy Weaver (Seren, 2022)
A spill of yew
Rory Waterman reviews Apostasy by John Burnside (Dare-Gale Press, 2022)