Features
Collaboration and Transformation II
Clare Best on collaborating with composers and musicians, translators and book designers
Photo credit: Guildhall School of Music & Drama
Photo credit: Guildhall School of Music & Drama
Like worms on the corruption in which they are bred
Hilary Menos reviews The Poets’ Guide to Economics by John Ramsden (Pallas Athene, 2022)
Collaboration and Transformation I
Clare Best on her experiences of collaborative artistic work
Photo by Laura Stevens
Photo by Laura Stevens
After the first phase, after the great fall
In the first of a new series of close readings, Hilary Menos unpacks the poem ‘Incredible’ by Simon Armitage
The grief I cast is for me
Matthew Paul celebrates the life and poetry of Ted Walker
The poet has to have the last word
We talk to Sharon Black, editor of Pindrop Press, about the impact of Brexit, living and writing in two languages, and what’s new with Pindrop
Sky blue pink
Bruno Cooke on the many faces of artist, poet and social worker Tom Stockley
Photo by Will Thomas
Photo by Will Thomas
What do our regular reviewers say?
Our reviewers tell us a bit about how, when and why they came to write / review poetry
Testament
Christopher James has made a paper cut-up of the Kyiv home of Ukrainian poet, Taras Shevchenko
Castaway Companions
Castaway poet Anne Rouse chooses poems by H.D. and Yeats, and Helen Waddell's translation of 'Die Christi Veritas', to take to a desert island
A Poem Begins
Lyric Essay: A Poem Begins, by Jane Burn
One kid looking on in wonder
Matthew Stewart explores Ben Wilkinson’s poetic development and looks at his new collection, Same Difference (Seren, 2022)
