Three pamphlets: Erica Gillingham, Stephen Payne and Khadija Rouf
Rachael Matthews reviews The Human Body is a Hive by Erica Gillingham, Richie McCaffery reviews The Wax Argument by Steven Payne, and Bruno Cooke reviews House Work by Khadija Rouf
Rachael Matthews reviews The Human Body is a Hive by Erica Gillingham, Richie McCaffery reviews The Wax Argument by Steven Payne, and Bruno Cooke reviews House Work by Khadija Rouf
Rob A. Mackenzie reviews Dead Souls by Sam Riviere (Weidenfeld & Nicolson, 2021)
Carl Tomlinson reviews what is near by Kay Syrad (Cinnamon, 2021)
Hilary Menos reviews Miracle Theatre’s Everyman, adapted by Carol Ann Duffy, at the Princess Pavillion, Falmouth
Emma Simon reviews The Underlook by Helen Seymour (Smith|Doorstop, 2021) and The Thoughts by Sarah Barnsley (Smith|Doorstop, 2021)
Annie Fisher reviews Pearls: the complete Mr and Mrs Philpott poems by Helena Nelson (HappenStance, 2022)
Carl Tomlinson reviews Hotel Anonymous by Mike Barlow (Pindrop, 2021)
Bruno Cooke reviews You've got so many machines, Richard: an anthology of Aphex Twin poetry, edited by Rishi Dastidar and Aaron Kent (Broken Sleep, 2022)
Stephen Payne reviews Speechless at Inch by James Caruth (Smith|Doorstop, 2021)
Matthew Paul reviews Lemonade in the Armenian Quarter by Sarah Mnatzaganian, Maggie Mackay reviews Following Teisa by Judi Sutherland and Hilary Menos reviews Badlands by Hugo Williams
Fiona Moore reviews Eat Or We Both Starve by Victoria Kennefick (Carcanet, 2021)
Khadija Rouf reviews My Name is Mercy by Martin Figura (Fair Acre, 2021), Hilary Menos reviews Nina Simone is Singing by Leontia Flynn (Mariscat Press, 2021), and Mat Riches reviews Litanies by Naush Sabah (Guillemot, 2021)