Hilary Menos

The difficult visiting times
Philip Gross discusses writing poetry about his family in The Wasting Game and Deep Field, the importance of self-knowledge, and what makes a 'good' poem

Schist and quartz and sparks of mica
Hilary Menos reviews The Red House by Sharon Black (Drunk Muse Press, 2022)

A soft labyrinth of signals
Hilary Menos reviews The Grass Boat by Imogen Forster (Mariscat, 2021)

Hope is a thing with 1. Fur 2. Down 3. Feathers 4. An exoskeleton
Hilary Menos reviews I Dreamed I Was Emily Dickinson’s Boyfriend by Ron Koertge (Red Hen Press, 2022)

Letting the shadow out of the box
Hilary Menos reviews Turn Up the Ocean by Tony Hoagland (Bloodaxe, 2022)

The year I was lost in the core of a star
Hilary Menos reviews Ovarium by Joanna Ingham (Emma Press, 2022)

Like worms on the corruption in which they are bred
Hilary Menos reviews The Poets’ Guide to Economics by John Ramsden (Pallas Athene, 2022)

After the first phase, after the great fall
In the first of a new series of close readings, Hilary Menos unpacks the poem ‘Incredible’ by Simon Armitage

A gorgeous fluorescent yes
Hilary Menos reviews Ephemeron by Fiona Benson (Cape, 2022)

I could have been betterer. Et-fucking-cetera
Hilary Menos reviews Miracle Theatre’s Everyman, adapted by Carol Ann Duffy, at the Princess Pavillion, Falmouth

Three pamphlets: Sarah Mnatzaganian, Judi Sutherland and Hugo Williams
Matthew Paul reviews Lemonade in the Armenian Quarter by Sarah Mnatzaganian, Maggie Mackay reviews Following Teisa by Judi Sutherland and Hilary Menos reviews Badlands by Hugo Williams

Three pamphlets: Martin Figura, Leontia Flynn and Naush Sabah
Khadija Rouf reviews My Name is Mercy by Martin Figura (Fair Acre, 2021), Hilary Menos reviews Nina Simone is Singing by Leontia Flynn (Mariscat Press, 2021), and Mat Riches reviews Litanies by Naush Sabah (Guillemot, 2021)