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The Friday Poem

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The Friday Poem on 22/10/21

We chose the poem ‘The Solvent Properties of Water’ by Sarah Hymas because it seems to tap into a liminal, almost magical space. It takes a lake swim as its starting point, where two women remember their childhoods together, but the poem travels further, focusing down onto rescued wasps drying themselves and then sweeping up and out to create, and confront, a larger — much larger — picture. It is complex and filmic, with an elegiac quality; it is deeply moving and deeply rewarding.

The Solvent Properties of Water

     for Helen

We’d been talking about our childhoods, 
how foreign they were to the world we navigated now, 
yet how, somehow, we were still those girls 
who peered under rocks and poked at the cracks 
in drought-split reservoirs. I thought of limbs whiter 
than they ever could be again, bodies 
which had not experienced enough past to anticipate a future.

                                                 Now I reshape 
in the lakewater, my legs turmeric in the dissolved oxides, 
light charging waterskin, my skin, the barkskin 
of pines, where you’ve discarded clothes 
and, in your old-fashioned black bathing costume, 
are picking a slow passage 
out of their long shadows 
towards my squealing for you to come deeper to the cool.

                                     We are mountains away 
from the morning’s dust scattered by a van 
hounding the track we did not turn on to,
where the haze of dirt dispersed between us and sky, 
bristling the sunflowers in one field to wheat in another. 

This is your first ever lake swim, you tell me 
once you’ve given your body to the lake’s, and float
alongside my skitting corkscrew, suddenly 
I’m also a novice in this unfamiliar body of water,
unnerved by all the other firsts to come.

Distant pines and motionless turbines reassure me more 
than the dark unruffled water. Rocks shimmy my footing 
and coolness climbs my thighs, until I stumble and launch 
horizontal to be doused by spray in breezy abundance.

What had been sucked from the desiccated ground 
was deluging elsewhere in a volume yet to consume the news. 

                                                           The grit and our bone-dry trudge
dislodged a memory of a bleached skull. Its nostrils’ lacy cartilage 
patterned alveoli, a winter tree or coral system without its neon algae.

I cannot help myself and urge you on. 
Further! I call, flinching with the knife of my squeal. 

                                                                          Your stalling muffles me.
I watch you bend with attention, nose to water, cradling wasps 
who are caught by the weight of meniscus and offer you then them 
pine stalks and oak leaves to clutch, on which they dry themselves, 
legs frotting each limey yellow head and body,
                                                             wings whirring in test readiness 
before lifting off, up to the basin of sky that will swallow us all
come the smudge of dusk and since fear is singular 
when I might also believe myself to be unafraid.

Sarah Hymas is a text-based artist living on Morecambe Bay. Her writing appears in print, exhibitions, videos, lyrics, on stage, and radio. Recent books include melt (Waterloo Press, 2020) and the hispering (BlackSunflowers 2021). Her artistbooks have been featured in The Guardian Online and The Times Literary Supplement and are held in the National Poetry Library in London. She has written site-specific pieces told through geocaching, augmented reality, microprint, performance and audio, and works in collaboration with other artists, writers, and oceanographers.

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10/11/2021

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