The Frip
Crossing the Line: Walking in the Cheviots with Dante
Stewart Sanderson considers the notion of 'crossing the line' in poetry while walking his beloved Cheviot hills
You are less separate than you imagine
Charlotte Gann reviews The Hopeful Hat by Carole Satyamurti (Bloodaxe, 2023)
To walk, move the ground backwards
Mat Riches reviews Spider Time by William Gilson (Wayleave Press, 2022)
Picasso, ici, je te vois, et je te nomme
Rowan Bell on the relationship between artist Picasso and poet Paul Éluard
Can’t you see the poetry in throwing a fire extinguisher through the window of the Ritz?
Karen Smith reviews Improvised Explosive Device by Arji Manuelpillai (Penned in the Margins, 2022)
This barter of enthusiasm 6
Andrew Neilson, Emma Simon and Jonathan Davidson choose favourite poems by Roddy Lumsden, Lorraine Mariner and Kit Wright
What I think about when I think about English-Language Haiku
On form, spirit and resonance: an essay with three commentaries by Matthew Paul
First-class business to transact
Isabelle Thompson reviews Tabula Rasa: Poetry by Women (Linen Press, 2023)
Living between languages
Jane Routh reviews three new pamphlets from Verve Poetry Press – Nemidoonam by Nasim Rebecca Asl, Bird Cherry by Roshni Gallagher and Tapping at Glass by Tim Tim Cheng
I drove all the way to Cape Disappointment
Rachel Burns takes a close look at the opening poem of frank: sonnets by Diane Seuss
Crash the force shield of this screen
Emma Simon reviews The Kingdom by Jane Draycott (Carcanet, 2022)
of bodies / of light / of weightlessness
Khadija Rouf reviews Antonyms for Burial by Ellora Sutton (Fourteen Poems, 2022)