The Frip
Finishing mummy’s pictures
Rachael Matthews reviews The Illustrated Woman by Helen Mort (Chatto & Windus, 2022)
Two pamphlets that sing together
Isabelle Thompson reviews I Hate to Be the One to Tell You This by Zoë Walkington (Smith|Doorstop, 2023) and Past Tense Future Imperfect by Jon Miller (Smith|Doorstop, 2023)
punk ballet. Act 1. / there is more to come
Bruno Cooke profiles Bristol-based poet, writer, performer, and slam champion, Vanessa Kisuule
Photograph of Vanessa Kisuule by Jon Aitken
Photograph of Vanessa Kisuule by Jon Aitken
I am cobalt and cherry pulp lyric
Tim Murphy reviews VISIONS & FEED by Maria Sledmere (HVTN Press, 2022)
Lots wider inside than it looks
Stephen Payne reviews The Nature Thief by Henry Walters (The Waywiser Press, 2022)
Crossing the Line: Walking in the Cheviots with Dante
Stewart Sanderson considers the notion of 'crossing the line' in poetry while walking his beloved Cheviot hills
You are less separate than you imagine
Charlotte Gann reviews The Hopeful Hat by Carole Satyamurti (Bloodaxe, 2023)
To walk, move the ground backwards
Mat Riches reviews Spider Time by William Gilson (Wayleave Press, 2022)
Picasso, ici, je te vois, et je te nomme
Rowan Bell on the relationship between artist Picasso and poet Paul Éluard
Can’t you see the poetry in throwing a fire extinguisher through the window of the Ritz?
Karen Smith reviews Improvised Explosive Device by Arji Manuelpillai (Penned in the Margins, 2022)
This barter of enthusiasm 6
Andrew Neilson, Emma Simon and Jonathan Davidson choose favourite poems by Roddy Lumsden, Lorraine Mariner and Kit Wright
What I think about when I think about English-Language Haiku
On form, spirit and resonance: an essay with three commentaries by Matthew Paul