The Frip
SEQUINS NOW
Isabelle Thompson reviews Dirty Martini by Natalie Shaw (Broken Sleep Books, 2023)
Blown like glass into brittle intricacies
Hilary Menos reviews Slide by Mark Pajak (Cape, 2022)
Choose a poem, learn it by heart, share it out loud
Julie Blake, co-founder of Poetry By Heart, talks about the benefits of learning poetry, the joys of performance, and the Poetry By Heart national poetry speaking competition
Photos by Sam Strickland
Photos by Sam Strickland
玫瑰, गुलाब, rose
D.A. Prince reviews After all we have travelled by Sarala Estruch (Nine Arches Press, 2023)
This barter of enthusiasm 5
Matthew Paul, Charlotte Gann and Rory Waterman choose poems by Geoff Hattersley, Kathy Pimlott and Wendy Cope
All Quite Thoroughly Dirty (Part Two)
Alan Buckley continues his close reading of ‘Filling Station’ by Elizabeth Bishop (Part Two)
This is for the poets
Bruno Cooke says the new Forward Prize category for Best Single Poem – Performed shows that the literary establishment is finally starting to take an interest in Spoken Word Poetry
Monsoon night-song
Steven Lovatt reviews Mother of Flip-Flops by Mukahang Limbu (Out-Spoken Press, 2022)
All Quite Thoroughly Dirty
Alan Buckley looks at ‘Filling Station’ by Elizabeth Bishop (Part One)
There are some things that can’t be washed away
Tim Murphy reviews Sing Me Down from the Dark by Alexandra Corrin-Tachibana (Salt, 2022)
Images of aftermath
Mat Riches reviews Exposed Staircase by Will Eaves (Rack Press, 2022)
The difficult visiting times
Philip Gross discusses writing poetry about his family in The Wasting Game and Deep Field, the importance of self-knowledge, and what makes a 'good' poem