The Frip
First-class business to transact
Isabelle Thompson reviews Tabula Rasa: Poetry by Women (Linen Press, 2023)
Living between languages
Jane Routh reviews three new pamphlets from Verve Poetry Press – Nemidoonam by Nasim Rebecca Asl, Bird Cherry by Roshni Gallagher and Tapping at Glass by Tim Tim Cheng
I drove all the way to Cape Disappointment
Rachel Burns takes a close look at the opening poem of frank: sonnets by Diane Seuss
Crash the force shield of this screen
Emma Simon reviews The Kingdom by Jane Draycott (Carcanet, 2022)
of bodies / of light / of weightlessness
Khadija Rouf reviews Antonyms for Burial by Ellora Sutton (Fourteen Poems, 2022)
Strength in symbols – and silence
Bruno Cooke meets Santo Niña, the Filipino poet, journalist and activist who uses poetry and social media to give voice to the voiceless
Of difference, and of faith and its loss
Maggie Mackay reviews Hymnal by Julia Bell (Parthian, 2023)
A rebozo threaded by an ancient needle
Richie McCaffery reviews At Least This I Know by Andrés N. Ordorica (404 Ink, 2022)
Poetry and Everyday Sexism
We talk to Kim Moore about her recent Forward prize-winning poetry collection and her new collection of lyric essays
Snowfall mixes with burning ash
Tim Murphy reviews To An Occupier Burning Holes by Ken Evans (Salt, 2022)
Catch the heart off guard and blow it open
Annie Fisher reviews Skin & Blister by Blake Morrison (Mariscat, 2023)
You are the player. Wake up.
Inigo Brodie on the story behind the Minecraft End Poem, and how sometimes poetry is the only option