Pamphlet Reviews
Lots wider inside than it looks
Stephen Payne reviews The Nature Thief by Henry Walters (The Waywiser Press, 2022)
To walk, move the ground backwards
Mat Riches reviews Spider Time by William Gilson (Wayleave Press, 2022)
Living between languages
Jane Routh reviews three new pamphlets from Verve Poetry Press – Nemidoonam by Nasim Rebecca Asl, Bird Cherry by Roshni Gallagher and Tapping at Glass by Tim Tim Cheng
of bodies / of light / of weightlessness
Khadija Rouf reviews Antonyms for Burial by Ellora Sutton (Fourteen Poems, 2022)
A rebozo threaded by an ancient needle
Richie McCaffery reviews At Least This I Know by Andrés N. Ordorica (404 Ink, 2022)
Catch the heart off guard and blow it open
Annie Fisher reviews Skin & Blister by Blake Morrison (Mariscat, 2023)
SEQUINS NOW
Isabelle Thompson reviews Dirty Martini by Natalie Shaw (Broken Sleep Books, 2023)
Monsoon night-song
Steven Lovatt reviews Mother of Flip-Flops by Mukahang Limbu (Out-Spoken Press, 2022)
Images of aftermath
Mat Riches reviews Exposed Staircase by Will Eaves (Rack Press, 2022)
A slick torpedo hurled from the blue depths
Isabelle Thompson reviews Temporary Stasis by Lucy Holme (Broken Sleep Books, 2022)
Yielding to water
Clare Best reviews The Water People / Gens de l’eau by Vénus Khoury-Ghata, translated by Marilyn Hacker (Poetry Translation Centre, 2022)
Haunted, haunting, cursed and cursing
Bruno Cooke reviews Farewell Tour by Stefan Mohamed (Verve, 2022)