Features
Picasso, ici, je te vois, et je te nomme
Rowan Bell on the relationship between artist Picasso and poet Paul Éluard
This barter of enthusiasm 6
Andrew Neilson, Emma Simon and Jonathan Davidson choose favourite poems by Roddy Lumsden, Lorraine Mariner and Kit Wright
What I think about when I think about English-Language Haiku
On form, spirit and resonance: an essay with three commentaries by Matthew Paul
I drove all the way to Cape Disappointment
Rachel Burns takes a close look at the opening poem of frank: sonnets by Diane Seuss
Strength in symbols – and silence
Bruno Cooke meets Santo Niña, the Filipino poet, journalist and activist who uses poetry and social media to give voice to the voiceless
Poetry and Everyday Sexism
We talk to Kim Moore about her recent Forward prize-winning poetry collection and her new collection of lyric essays
You are the player. Wake up.
Inigo Brodie on the story behind the Minecraft End Poem, and how sometimes poetry is the only option
Choose a poem, learn it by heart, share it out loud
Julie Blake, co-founder of Poetry By Heart, talks about the benefits of learning poetry, the joys of performance, and the Poetry By Heart national poetry speaking competition
Photos by Sam Strickland
Photos by Sam Strickland
This barter of enthusiasm 5
Matthew Paul, Charlotte Gann and Rory Waterman choose poems by Geoff Hattersley, Kathy Pimlott and Wendy Cope
All Quite Thoroughly Dirty (Part Two)
Alan Buckley continues his close reading of ‘Filling Station’ by Elizabeth Bishop (Part Two)
This is for the poets
Bruno Cooke says the new Forward Prize category for Best Single Poem – Performed shows that the literary establishment is finally starting to take an interest in Spoken Word Poetry
All Quite Thoroughly Dirty
Alan Buckley looks at ‘Filling Station’ by Elizabeth Bishop (Part One)