AllBook ReviewsPamphlet ReviewsWoods, words, a sword of spells bunched up on a larch Book Review: Maggie Mackay reviews Shelling Peas with My Grandmother in the Gorgiolands by Sarah Wimbush (Bloodaxe, 2022) That first bright garden Book Review: Annie Fisher reviews Rain Tree by Ruth Sharman (Templar, 2022) Seedpearl work Book Review: Jane Routh reviews The Language of Bees by Rae Howells (Parthian, 2022) Dealing in shards Book Review: Steven Lovatt reviews Amnion by Stephanie Sy-Quia (Granta, 2021) Luve’s arcane delirium Book Review: Richie McCaffery reviews The Mouth of Eulalie by Annie Brechin (Blue Diode, 2022) Glass through heat Book Review: Jane Routh reviews Panic Response by John McCullough (Penned in the Margins, 2022) A flower blossoming out of the hole in my face Book Review: Khadija Rouf reviews Bless the Daughter Raised by a Voice in Her Head by Warsan Shire (Chatto & Windus in collaboration with Flipped Eye, 2022) A gorgeous fluorescent yes Book Review: Hilary Menos reviews Ephemeron by Fiona Benson (Cape, 2022) Three pamphlets: Erica Gillingham, Stephen Payne and Khadija Rouf Pamphlet Review: Rachael Matthews reviews The Human Body is a Hive by Erica Gillingham (Verve, 2022), Richie McCaffery reviews The Wax Argument by Stephen Payne (HappenStance, 2022) and Bruno Cooke reviews House Work by Khadija Rouf (Fair Acre, 2022) A dark shape from the sun Book Review: Rob A. Mackenzie reviews Dead Souls by Sam Riviere (Weidenfeld & Nicolson, 2021) Mosses and dunlins, lichens and curlew, light and water Book Review: Carl Tomlinson reviews what is near by Kay Syrad (Cinnamon, 2021) I could have been betterer. Et-fucking-cetera Theatre Review: Hilary Menos reviews Miracle Theatre’s Everyman, adapted by Carol Ann Duffy, at the Princess Pavillion, Falmouth More
