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The Friday Poem

A poem every Friday

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We are always saying goodbye

Castaway: Martyn Crucefix chooses poems by Samuel Taylor Coleridge, Edward Thomas and Rainer Maria Rilke to take to his desert island

The Censored Women of Les Fleurs du Mal

Feature: Pedro Baños Gallego on Baudelaire's censored women in 'Les Fleurs du Mal'

Untitled

Feature: On finding a title for your poem

The Joy of Cycling

Feature: Our Spoken Word Editor Bruno Cooke is off round the world on two wheels. Her considers the joy of cycling, in poetry.

Unicorn flavour

In Conversation: The Friday Poem talks to Aaron Kent, poet, editor, and publisher of Broken Sleep Books

What do our new regular reviewers say?

Feature: On our second anniversary we asked our new regular reviewers to say a bit about poetry and reviewing

How Edgar Allan Poe became the darling of the maligned and misunderstood

Feature: How Edgar Allan Poe became the darling of the maligned and misunderstood

This barter of enthusiasm 7

Feature: Stephen Payne, Clare Best ands Jeremy Wikeley choose poems by Geoffrey Brock, Mark Doty and W.H. Auden

On Trying To Notice Joy

Feature:Polly Atkin on her love of tea, Teaism, and what Leila Chatti's poem 'Tea' means to her

punk ballet. Act 1. / there is more to come

Feature: Bruno Cooke profiles Vanessa Kisuule

Crossing the Line: Walking in the Cheviots with Dante

Feature: Stewart Sanderson considers the notion of 'crossing the line' in poetry, with reference to Dante's Divine Comedy, Child's Ballads, and Basil Bunting’s ‘Attis: Or, Something Missing’.

Picasso, ici, je te vois, et je te nomme

Feature: Rowan Bell on the relationship between artist Picasso and poet Paul Éluard
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  • THE FRIP

    The Frip is The Friday Poem’s reviews and features magazine. We run book reviews, profiles, interviews, essays, lyric essays and other features of interest to poets and readers of poetry. Read the Frip here.

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