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Helena Nelson

Big white text on a black background. Parts of the words "The" and "Big" . Its striking if you like that monochrome block capitals kind of thing.

Meanwhile in Camelot

Helena Nelson reviews The Big Calls by Glyn Maxwell (Live Canon, 2023)

Continue readingMeanwhile in Camelot
A section taken from the front cover, parts of the words "The" and "Arctic3 can be seen. Th cover is brown with cream text. What can you do?

Hanging onto Tam Lin in The Arctic

Helena Nelson reviews The Arctic by Don Paterson (Faber, 2022)

Continue readingHanging onto Tam Lin in The Arctic
Black background covered in a myriad of small white shapes. At first the look like birds, but as one looks more closely they look like small abstract figures on horseback. Or maybe on camels. Who knows?

Uncharted territory

Helena Nelson reviews Imperium by Jay Gao (Carcanet, 2022)

Continue readingUncharted territory
a hand holding a pen with a blue winners rosette attached to it

The Competition Poem

Is there such a thing as the competition poem? And, if there is, how do you write it? The Frip talks to Ian Duhig, Helena Nelson and Christopher James to find out

Continue readingThe Competition Poem
Black and white head and shoulders photo of Helena Nelson smiling into the camera against the background of a field

Poetry editors have a love/hate relationship with poetry

In Conversation: The Friday Poem talks to Helena Nelson about the future of poetry publishing, the cult of personality and where to find good poetry today

Continue readingPoetry editors have a love/hate relationship with poetry

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  • THE FRIP

    The Frip is The Friday Poem’s reviews and features magazine. We run book reviews, profiles, interviews, essays, lyric essays and other features of interest to poets and readers of poetry. Read the Frip here.

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